Trying to get his attention, she fails miserably, tripping and almost falling, when…! He grabs her arm not to let her fall! He even remains holding her hand! Pervert! (?) Hye-ri notices that this is the first time they’re holding hands and is beyond delighted. Hye-ri notices him ( who wouldn’t?) and goes for some In-woo fun, but he’s not interested. Of course not, daddy! I’m a childish woman who would believe every word you’d tell me, so I can’t be involved in a case that stars you! What remains unmoved is the fact that, because of Man-chul’s confession, he’ll be investigated.īack to her house, In-woo is displaying all of his gorgeous self wearing a yellow sweater at the entrance. Girrrlll! Use your prosecutorial sixth sense!! Please! Poppa Ma wonders if he will be interrogated by her. Then, does he know anything about Young Jin Constructions? He admits that not everything in his life is shiny and happy rabbits filled, however, he’s not a bad man! Hye-ri is in so much need for him to be innocent, that she happily accepts his words. Hye-ri is not satisfied – why did that man say that he lent his name? San-tae acts surprised and tells a nice story about a hometown bro relationship, in which he even gave Go Man-chul some money for his business. Predictably, he admits knowing him tangentially and tells her to go back. Hye-ri gets to the point – does he know a man called Go Man-chul? Oops. Why wouldn’t she care for him? If he was a classic kdrama villain, he would’ve kicked her out or mistreated her, but this wasn’t the case). He offers her something to drink to calm her down (I found this scene important, it kind off represents her father’s love for her. They even know that Hye-ri was surprised and left the interrogation, but In-woo affirms that this is just a momentary stage of shock.ĭisconcerted by this sudden turn of events, Hye-ri runs to her father’s office. This is the moment in which I hope that the huge chain of In-woo’s contacts was showed, because they have a detailed report just as stuff happens.
Jenny mentions that Go Man-chul is like a tamed guinea pig, he moves exactly as planned. He’s a bit scared for having such a big, talkative mouth, and shouts for the guards… Well, you don’t have to be too smart to realize that if she has the same last name as Sang-tae and acts weirdly afterwards, surely there must be a connection. The manipulation tips given by the master of Mind Playing worked as expected! Something is odd, though. While going to his cell, the defendant expresses surprise at how easily she made him talk.
Why is that? What’s wrong? Obviously, she can’t tell the truth, she needs to get out of there, suffocation is killing her nerves. Hye-ri returns to Man-chul, who was anxiously waiting for her, only to ask if they can continue the following day. What is she doing? Uhm… Discovering that Sang-tae is a despicable man? Wanna join the party?! She refuses to give him the details of her current state, excusing herself for being there instead of interrogating the defendant. Since she’s talking to herself, deciding whether reporting her father or not at her Se-joon bonding’s room, the man himself appears. Is her father involved in a shoddy construction? Last time she checked, he was a nice, career chooser man, with no shady wrongdoings. Ma Sang-tae happens to be Go Man-chul’s sunbae from their hometown, but he can’t continue his story about the change from a childhood friend to manipulative businessman, because of Hye-ri’s shock, which makes her exit the room. What the frack’s face given by Ma Hye-ri opens this episode. You don’t sway / I’m on my way back to you… You don’t cry / No need to shed tears for me You also need to have JavaScript enabled in your browser. Vanila City – Let it rain Īudio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. If you’re taller than the hypo’s mark, come with me and ride this marvelous vengeance-prosecutorial-dead-wife’s-mourning rollercoaster! The natural flow of events and the coherence of both personalities and reactions, are what keep me hooked and right in front of the screen for one straight hour twice a week. Moreover, this is achieved without overusing or misplacing the melodramatic stuff like over pouting, over shouting, over eyebrow raising, over suffocating environments, etc. Every single character here deserves our deepest sympathy for their individual tragedies and not only that, they make us wish a happy ending for all of them. Why don’t I care, and what’s more, I love it? Because this drama is great at awakening empathy. That can’t be a good thing, right? It means “Hello, audience, prepare yourselves for nuclear disaster levels of angst. What’s wrong with today’s episode? My heart was left in a million pieces after watching it. 81 JanuProsecutor Princess: Episode 11 by aberdeen_angus
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